Ghazali Moinuddin is the Painter and Prof. of Fine Arts at Jamia Millia Islamia, based in Delhi, born on 18th September 1977. He completed his BFA (Bachelor of Fine Arts) in 1999 from Jamia Millia Islamia and MFA (Master of Fine Arts) in 2001 from Jamia Millia Islamia. Nothing can beat Ghazali's appreciation and talks of nature or its admiration. He endeavour is to bring out the beauty of nature through his works. The strokes in Ghazali Moinuddin’s canvasses are born out of a tube of acrylic and his deft fingers.
Ghazali Moinuddin: Latest Exhibition-
Nuqoosh-e-fitrat at Visual art gallery, India Habitat Centre, New Delhi (12th to 16th May 2013)
Past Exhibitions:
SOLO EXHIBITION: QAUS-E-QUZAH, All India Fine Arts and Crafts Society, 1-Rafi Marg New Delhi during 1st May -7th May 2008,State Lalit Kala Academy Lucknow, U.P. during 21st May – 24th May 2008, 3rd Indian contemporary miniature painting and sculpture exhibition organized by Nav Siddhartha Art Group at Lalit Kala Academy New Delhi 2008, Participated in a group show “India on Canvas, Jr.” organized by Ambassador of France and Khushi – an NGO on 19th October 2008 at Embassy of France, New Delhi.
Though Ghazali has come out with a series of paintings on the majestic mountains Ghazali an art teacher rarely travels to a hill stations. According to Ghazali – “It has been ages since I have been to a hill station. All the 45 paintings have come through my imagination. Even when I am confined to a room surrounded by books and magazines, my mind transports me to a serene hill station where the beauty of Himalayas leaves me in a trans.”
His work does not only serve solely as a means of expressing the painter’s admiration of nature but he also feels strongly that painting has a task of its own to accomplish in the service of imaginative life. The artist has developed a style which is in keeping with the thirst of mankind’s inner needs.
Here there is a greater and starker simplicity, which is expressive, natural seeming, and free from ornamental impedimenta of any kind. In this way the socio-cultural function of painting is extended. Instead of relying on the fortuitous, painting is given content by artistic values belonging to all time, and of a significance at the best of times. Well it is in some such ways all good artists work.
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